Ableton Live - 6.0 Bedienungsanleitung Seite 299

  • Herunterladen
  • Zu meinen Handbüchern hinzufügen
  • Drucken
  • Seite
    / 387
  • Inhaltsverzeichnis
  • LESEZEICHEN
  • Bewertet. / 5. Basierend auf Kundenbewertungen
Seitenansicht 298
CHAPTER 22. LIVE INSTRUMENT REFERENCE 297
is the adjacent quantize control. If this control is activated, the frequency will only move in
whole numbers, just as if the Coarse control were being manually adjusted. If quantize is
not activated, the frequency will be shifted in an unquantized manner, leading to detuned
or inharmonic sounds (which very well could be exactly what you want...).
The amplitude of an oscillator depends on the Level setting of the oscillator in the shell and
on its envelope, which is shown in its display and can be adjusted from there. It can also
be modied by note velocity and note pitch with the Level<Vel and Level<Key parameters
available in the lower portion of each oscillator's display.
The phase of each oscillator can be adjusted using the Phase control in its display.
As explained earlier oscillators can modulate each other when set up to do so with the
global display's algorithms. Oscillator D can also modulate itself, via the Feedback param-
eter available in its display. When an oscillator is modulating another oscillator, two main
properties dene the result: the amplitude of the modulating oscillator and the frequency
ratio between both oscillators.
22.2.3 LFO Section
Operator's LFO
Parameters.
The LFO in Operator can practically be thought of as a fth oscillator. It runs at audio rates,
and it modulates the frequency of the other oscillators. It is possible to switch modulation by
the LFO on or off for each individual oscillator (and the lter) using the Destination buttons
in the LFO's display. The LFO can also be turned off if it is unused.
Seitenansicht 298
1 2 ... 294 295 296 297 298 299 300 301 302 303 304 ... 386 387

Kommentare zu diesen Handbüchern

Keine Kommentare