Ableton Live - 9.0 Bedienungsanleitung PDF herunterladen (Seite 150)

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150 Converting Audio to MIDI

The Slicing Dialog.

When you select Slice to New MIDI track, you’ll be presented with a dialog box. This offers a

list of slicing divisions, as well as a chooser to select the Slicing Preset. The top chooser allows

you to slice at a variety of beat resolutions or according to the clip’s transients or Warp Markers.

Since a Rack can contain a maximum of 128 chains, Live won’t let you proceed if your choice

would result in more than 128 slices. You can ﬁx this by either setting a lower slice resolution or

by selecting a smaller region of the clip to slice. If your audio ﬁle is in REX format (page 132),

the slicing will be based on the ﬁle’s internal timing information and you won’t see this chooser.

The Slicing Preset chooser contains a few Ableton-supplied slicing templates, as well as any of

your own that you may have placed in your User Library’s default presets folder (page 224).

Once you’ve made your slicing choices and clicked OK, a number of things will happen:

1. A new MIDI track will be created, containing a MIDI clip. The clip will contain one note for

each slice, arranged in a chromatic sequence.

2. A Drum Rack will be added to the newly created track, containing one chain per slice.

Each chain will be triggered by one of the notes from the clip, and will contain a Simpler

with the corresponding audio slice loaded.

3. The Drum Rack’s Macro Controls will be pre-assigned to useful parameters for the Sim-

plers, as determined by the settings in the selected slicing preset. In the factory Slicing

presets, these include basic envelope controls and parameters to adjust the loop and

crossfade properties of each slice. Adjusting one of these Macros will adjust the mapped

parameter in each Simpler simultaneously.

Note: Live will take a few moments to process all of this information.

Playing the MIDI clip will trigger each chain in the Drum Rack in order, according to the timing

information that you speciﬁed or that was embedded in the audio. This opens up many new edit-

ing possibilities, including:

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