Ableton Live - 9.0 Bedienungsanleitung PDF herunterladen (Seite 201)

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201 Mixing

separately available for MIDI or keyboard mapping. There are two special scenarios for remote

control with respect to the crossfader:

•A key mapped to any one of the three assignable crossfader positions (left, center or right)

will toggle the crossfader’s absolute left and right positions.

•Mapping to two of the three ﬁelds allows for a “snapping back“ behavior when one of the

assigned keys is held down and the other is pressed and released.

Crossfade Assign Buttons.

Each track has two Crossfade Assign buttons, A and B. The track can have three states with re-

spect to the crossfader:

•If neither Assign button is on, the crossfader does not affect the track at all.

•If A is on, the track will be played unattenuated as long as the crossfader is in the left half

of its value range. As the crossfader moves toward the right across the center position, the

track fades out. At the crossfader’s rightmost position, the track is muted.

•Likewise, if B is on, the track’s volume will be affected only as the crossfader moves left

across its center position.

It is important to understand that the Crossfade Assign buttons do not affect the signal routing:

The crossfader merely inﬂuences the signal volume at each track’s gain stage. The track can be

routed to an individual output bus regardless of its crossfade assignment. In studio parlance, you

can think of the crossfader as an on-the-ﬂy VCA group.

As with almost everything in Live, your crossfading maneuvers can be recorded into the Ar-

rangement (page 257) for later in-depth editing. To edit each track’s crossfade assignment,

please choose “Mixer“ from the Envelope Device chooser and “X-Fade Assign“ from the Control

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