Ableton Live - 9.0 Bedienungsanleitung PDF herunterladen (Seite 404)

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404 Live Instrument Reference

ping samples (page 40). Loaded samples can be deleted with your computer keyboard’s

[Backspace] or [Delete] key.

Imported samples are automatically mapped onto your MIDI keyboard, providing that it is

plugged in and acknowledged by Live. C3 on the keyboard will trigger the leftmost sample, and

the other samples will follow suit in the octave from C3 to C4. Impulse’s eight slots will appear

labeled in the MIDI Editor’s key tracks (page 133) when the Fold button is active, even if the

given key track is void of MIDI notes. Mapping can be transposed from the default by applying

a Pitch device (page 369), or it can be rearranged by applying a Scale device (page 371).

Each of the eight samples has a proprietary set of parameters, located in the area below the

sample slots and visible when the sample is clicked. Adjustments to sample settings are only cap-

tured once you hit a new note — they do not affect currently playing notes. Note that this behav-

ior also deﬁnes how Impulse reacts to parameter changes from clip envelopes or automation,

which are applied once a new note starts. If you want to achieve continuous changes as a note

plays, you may want to use the Simpler (page 452).

Slot 8’s parameters also include a Link button, located in the lower left corner, which links slot

8 with slot 7. Linking the two slots allows slot 7’s activation to stop slot 8’s playback, and vice

versa. This was designed with a speciﬁc situation in mind (but can, of course, be used for other

purposes): Replicating the way that closed hi-hats will silence open hi-hats.

Each slot can be played, soloed, muted or hot-swapped using controls that appear when the

mouse hovers over it.

24.5.2 Start, Transpose and Stretch

The Start control deﬁnes where Impulse begins playing a sample, and can be set up to 100 ms

later than the actual sample beginning. The Transp (Transpose) control adjusts the transposition

of the sample by +/- 48 semitones, and can be modulated by incoming note velocity or a ran-

dom value, as set in the appropriate ﬁelds.

The Stretch control has values from -100 to 100 percent. Negative values will shorten the sam-

ple, and positive values will stretch it. Two different stretching algorithms are available: Mode

A is ideal for low sounds, such as toms or bass, while Mode B is better for high sounds, such as

cymbals. The Stretch value can also be modulated by MIDI note velocity.

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