Ableton Live - 5.0 Bedienerhandbuch PDF herunterladen (Seite 153)

12.1. MONITORING 151

12.1 Monitoring

Monitoring, in the context of Live, means passing a track's input signal on to the track's

output. Suppose you have set up an audio track to receive its input signal from a guitar.

Monitoring then means that the signal from your live guitar playing actually reaches the

track's output, via the track's device chain. If the track's output is set to Master, you can

hear the guitar signal, processed by whatever effects are used, and delayed by whatever

latency the audio hardware interface incurs, over your speakers.

The In/Out section offers, for every audio track and MIDI track, a Monitor radio button with

the following three options:

The default Auto-monitoring setting does the right thing for most straightforward

recording applications: Monitoring is on when the track is armed (record-enabled),

but monitoring is inhibited as long as the track is playing clips.

Audio and MIDI Track

Arm Buttons.

To permanently monitor the track's input, regardless of whether the track is armed or

clips are playing, choose In. This setting effectively turns the track into what is called

an Aux on some systems: The track is not used for recording but for bringing in a

signal from elsewhere (for instance, a ReWire slave program). With this setting, output

from the clips is suppressed. An In monitoring setting can be easily recognized even

when the In/Out section is hidden by the orange color of the track's Activator switch.

Monitoring can be turned off altogether by choosing the Off option. This is useful

when recording acoustic instruments which are monitored through the air, when

1 2 ... 148 149 150 151 152 153 154 155 156 157 158 ... 373 374

Keine Kommentare

Ableton Live - 5.0 Bedienerhandbuch Seite 153