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Chapter 4
Live Basics
This chapter introduces the essential concepts of Live. We advise you to read this chapter
early in your Live career, as a solid understanding of the program's basic principles will help
you fully exploit Live's potential for your music-making.
4.1 Live Sets
The type of document that you create and work on in Live is called a Live Set. Live Sets can
be opened either through the File menu's Open command or via the built-in File Browsers.
24
- Welcome to Live 3
- 1.2.1 Remix Features 4
- 1.2.5 Editing MIDI 5
- 1.2.7 Resources 6
- 1.2.9 Using Devices 6
- 1.2.10 Miscellaneous 7
- First Steps 8
- 2.1 Lear n About Live 9
- 2.2 Setting up Preferences 10
- 2.3 The Main Live Screen 11
- A View Selector 12
- A View Show/Hide 12
- 2.3. THE MAIN LIVE SCREEN 11 13
- Unlocking Live 14
- The Products Tab in the 15
- Preferences 15
- Selecting the Unlock 15
- Button in the Products 15
- 3.2 Step 2: Unlocking Live 16
- 3.2.1 The Unlock Key 17
- 3.2.2 The Challenge Code 17
- 3.2.3 Unlocking Online 17
- 3.2.4 Unlocking Ofine 18
- The Unlock Key Can Be 19
- Downloaded as a Text 19
- Manually Enter Your 20
- Unlock Key 20
- 3.3 Copy Protection FAQs 21
- Click Here if You Are 22
- Interested in Buying 22
- Click Here to Hide a 24
- Product's Features 24
- 3.3. COPY PROTECTION FAQS 23 25
- . They are happy to help! 25
- Live Basics 26
- 4.2 Arrangement and Session 27
- 4.3 Tracks 28
- A Track in the 29
- A Scene in the Session 29
- 4.4 Audio and MIDI 30
- 4.5 Audio Clips and Samples 31
- 4.6 MIDI Clips and MIDI Files 32
- 4.7 Devices and the Mixer 34
- The Live Mixer in the 37
- Arrangement View (Top) 37
- Live's Crossfader 38
- MIDI Effects, an 38
- Instrument and Audio 38
- Effects in a MIDI Track 38
- 4.8 Presets and Device Groups 39
- 4.9 Routing 39
- Track Routing Is Set up 40
- Using the In/Out Section 40
- (Top) or Session View 40
- 4.10 Recording New Clips 41
- 4.11 Automation Envelopes 42
- 4.12 Clip Envelopes 43
- 4.13 MIDI and Key Remote 43
- 4.14 Saving and Exporting 44
- A Live Clip in the File 45
- Browser 45
- 4.15 The Library 46
- 4.15. THE LIBRARY 45 47
- Managing Files and Sets 48
- 5.1.2 Searching for Files 50
- 5.1.3 Previewing Files 52
- Dropping a Clip to 53
- Create a New Track 53
- 5.2 Sample Files 54
- 5.2.1 The Decoding Cache 55
- 5.2.2 Analysis Files (.asd) 56
- 5.2.3 File Pre-Analysis 57
- 5.2.4 Exporting Audio 57
- 5.3 MIDI Files 59
- 5.4 Live Clips 60
- A Live Clip in the 61
- 5.5 Live Sets 62
- 5.5.3 Template Sets 63
- 5.6 Ofine and Lost Files 64
- 5.8 Live Packs 65
- 6.1 Navigation 67
- 6.2 Transport 68
- Using Locators to 70
- Launch Play in the 70
- Arrangement 70
- The Locator Controls 71
- 6.4 The Arrangement Loop 72
- 6.5 Moving and Resizing Clips 73
- 6.6 Selecting Clips and Time 74
- 6.7 Using the Editing Grid 75
- A Gap Between Clips 76
- Has Been Deleted by 76
- First Selecting it, Then 76
- Executing the Delete 76
- Time Command 76
- 6.9 Splitting Clips 77
- 6.10 Consolidating Clips 78
- Session View 80
- 7.1 Session View Clips 81
- 7.2 Tracks and Scenes 82
- A Session View Scene 83
- This Scene Will Change 83
- 7.3 The Track Status Fields 84
- Dropping Multiple Clips 85
- 7.4.1 Select on Launch 86
- 7.4.3 Editing Scenes 86
- The Control Bar's Record 88
- The Arrangement 88
- The Stop All Clips 89
- Clip View 90
- Clicking a Session View 91
- Track Status Field Opens 91
- Creating a Clip 91
- Multi-Selection 91
- The Clip View for an 92
- Audio Clip 92
- 8.1 The Clip Box 94
- 8.1.3 Clip Signature 95
- 8.1.4 Groove 95
- 8.1.5 Clip Offset and Nudging 96
- 8.1. THE CLIP BOX 95 97
- 8.2 The Sample Box 98
- The Control Bar's Tempo 99
- Control 99
- The Clip Zoom/Scroll 100
- The Clip Overview 100
- The Follow Switch 101
- The Clip Start and End 101
- Markers 101
- Using Clip Start and End 102
- Controls to Change Clip 102
- The Clip Scrub Area 102
- The Clip Loop Controls 103
- Setting the Clip to Run 104
- Into a Loop 104
- 8.2.3 Clip Pitch and Gain 105
- The Replace Sample 106
- The Save Default Clip 107
- The High Quality Switch 107
- 8.2.9 Clip RAM Mode 108
- 8.2.10 Reversing Samples 109
- 8.3 The Notes Box 110
- 8.3.1 Tempo Controls 111
- 8.3.2 Bank and Program Change 111
- 8.3.3 MIDI Loop/Region 111
- Tempo Control and Warping 113
- 9.1.2 Tapping the Tempo 114
- 9.2 Time-Warping Samples 115
- 9.2.1 Syncing Straight Loops 116
- 9.2.2 Syncing Uncut Loops 117
- Setting the Warp 118
- Markers for a Badly Cut 118
- 9.2.4 Manipulating Grooves 119
- 9.2.5 Syncing Longer Pieces 120
- The Metronome Switch 121
- Using the Context Menu 121
- 9.3.1 Beats Mode 123
- 9.3.2 Tones Mode 124
- 9.3.3 Texture Mode 124
- 9.3.4 Re-Pitch Mode 124
- 9.4 Deactivating Warping 125
- Chapter 10 126
- 10.2 The MIDI Editor 127
- The Control Bar's Draw 128
- Mode Switch 128
- Previewing MIDI Notes 128
- Note Scale Position Is 129
- Shown Vertically and 129
- Beat-Time Horizontally 129
- MIDI Editor Navigation 130
- The Control Bar's Follow 131
- The MIDI Clip Scrub 131
- 10.4 Editing MIDI 132
- 10.4.3 Grid Snapping 133
- Quantizing MIDI Notes 135
- Copying (Above) and 136
- Pasting (Below) a Loop 136
- 10.4.6 Changing Note Length 137
- 10.4.7 Editing Velocities 137
- Changing Note Velocity 138
- 10.4. EDITING MIDI 137 139
- 10.4.8 Deactivating Notes 140
- Launching Clips 141
- 11.2 Launch Modes 142
- 11.3 Clip-Level Quantization 143
- 11.4 Velocity 144
- 11.5 Legato Mode 144
- 11.6 Follow Actions 145
- Creating a Group With 147
- 11.6.2 Creating Cycles 148
- Routing and I/O 151
- The Mixer's In/Out 152
- Section and Mixer 152
- Section Selectors 152
- 12.1 Monitoring 153
- 12.2 Exter nal Audio In/Out 154
- 12.3 Exter nal MIDI In/Out 155
- Activating the Computer 156
- MIDI Keyboard 156
- 12.3.4 MIDI In/Out Indicators 157
- 12.4 Master and Cue Outs 158
- 12.5 ReWire Slave Routing 158
- An Audio Track 159
- Receiving Audio From 159
- Sending MIDI to Reason 159
- 12.6 Resampling 160
- 12.7 Inter nal Routings 161
- 12.7.1 Post-Effects Recording 162
- Recording the Output of 163
- Audio Tracks 163
- 12.7.3 Creating Submixes 164
- MIDI Track Into an 165
- Existing MIDI Track to 165
- Reuse its Instrument 165
- Feeding an Additional 165
- The Instrument Has 166
- Been Isolated in a 166
- Dedicated Track 166
- Using Impulse's 167
- Individual Outs to 167
- Separately Process 167
- Sample Slots 167
- Tracks Feeding MIDI to 168
- From the Parts of a 168
- Multi-Timbral 168
- Instrument 168
- 12.7.8 Layering Instruments 169
- 12.7. INTERNAL ROUTINGS 168 170
- Chapter 13 171
- The Arrangement View 172
- The Session View Mixer 172
- The Mixer Section 173
- Selector 173
- The Mixer Controls 173
- 13.2 Audio and MIDI Tracks 174
- Tracks are Represented 175
- The Send Controls and 176
- Pre/Post Toggle 176
- The Crossfader 177
- A Track's Crossfade 177
- Assign Buttons 177
- 13.5 Soloing and Cueing 178
- The Cueing-Related 179
- Session Mixer Controls 179
- 13.6 Track Delays 180
- Recording New Clips 181
- 14.1 Choosing an Input 182
- Track Arm Buttons in the 183
- Session (Left) and 183
- Arrangement (Right) 183
- 14.3 Recording 184
- Recording a New Clip 186
- Into the Session View 186
- 14.4 Recording in Sync 188
- The Preview Volume 189
- 14.6 Recording with Count-in 190
- 14.7 Setting up File Types 190
- The Scene Up/Down 191
- Buttons 191
- A Track Launch Button 192
- Working with Instruments and 193
- Devices in the Track 194
- 15.1 Using the Live Devices 195
- MIDI and Audio Track 196
- Arm Buttons 196
- A MIDI Track's Device 197
- Chain Can Contain All 197
- Three Device Types 197
- A Device Activator 197
- 15.1.1 Live Device Presets 198
- The Browse Presets 199
- The Preset Save Button 200
- Opening Search Mode 201
- Exiting Search Mode 201
- 15.1.2 Device Groups 202
- 15.2 Using Plug-Ins 203
- The Plug-In Device 204
- Browser and Selector 204
- A VST Plug-In in the 205
- Track View 205
- The Plug-In Unfold 206
- The Plug-In Edit Button 206
- 15.3 VST Plug-Ins 208
- Setting up VST Plug-In 209
- Sources for Windows 209
- Sources for Mac OS X 210
- 15.3.2 VST Programs and Banks 211
- 15.4 Audio Units Plug-Ins 213
- Activating Audio Units 214
- Plug-Ins 214
- Opening an Audio Units 214
- Plug-In Window 214
- Chapter 16 216
- 16.2 Deleting Automation 217
- 16.3 Overriding Automation 217
- The Back to 218
- Arrangement Button 218
- An Automation 218
- Envelope in the 218
- Arrangement View 218
- 16.4.1 Drawing Envelopes 219
- 16.4.2 Editing Breakpoints 220
- 16.4.3 Locking Envelopes 221
- 16.4.4 Edit Menu Commands 222
- The Tempo Envelope 223
- Clip Envelopes 224
- 17.1 The Clip Envelope Editor 225
- 17.2 Audio Clip Envelopes 227
- The Transposition 228
- Envelope with Steps 228
- (Top) and Ramps 228
- (Bottom) 228
- 17.2.4 Scrambling Beats 229
- Repeating Steps and 230
- Slowing Time with the 230
- Sample Offset Envelope 230
- 17.3.2 Modulating Pan 232
- A MIDI-Controller Clip 234
- Envelope 234
- Using a Clip Envelope to 235
- Create a Fade-Out Over 235
- Several Repetitions of a 235
- The Sample (Left) and 236
- Envelope (Right) Start 236
- 17.5.4 Clip Envelopes as LFOs 237
- Live Audio Effect Reference 238
- 18.1 Auto Filter 239
- controls dene the 240
- 18.2 Auto Pan 241
- 18.3 Beat Repeat 242
- 18.4 Chorus 244
- 18.5 Compressor I 246
- 18.6 Compressor II 248
- 18.7 EQ Three 250
- 18.8 EQ Four 251
- 18.9 Erosion 252
- 18.10 Filter Delay 253
- 18.11 Flanger 255
- 18.12 Gate 256
- 18.13 Grain Delay 258
- 18.14 Phaser 260
- 18.15 Ping Pong Delay 261
- 18.16 Saturator 263
- 18.17 Simple Delay 264
- 18.18 Vinyl Distortion 265
- 18.19 Redux 266
- 18.20 Resonators 267
- 18.21 Reverb 269
- 18.21.2 Early Reections 270
- 18.21.3 Global Settings 270
- 18.21.4 Diffusion Network 271
- 18.21.5 Output 271
- 18.22 Utility 272
- 18.22. UTILITY 271 273
- Live MIDI Effect Reference 274
- 19.1 Arpeggiator 275
- 19.1. ARPEGGIATOR 274 276
- 19.2 Chord 279
- 19.3 Pitch 280
- 19.4 Random 281
- 19.5 Scale 282
- 19.6 Velocity 283
- Live Instrument Reference 285
- 20.1 Impulse 286
- 20.1.3 Filter 288
- 20.1.4 Saturator and Envelope 288
- 20.1.5 Pan and Volume 288
- 20.2 Simpler 289
- 20.2.1 Sample View 290
- 20.2.2 Sample Controls 290
- 20.2.3 Zoom 291
- 20.2.4 Envelope 291
- 20.2.5 Filter 292
- 20.2.6 LFO 292
- 20.2.8 Glide and Spread 294
- 20.3 Operator 295
- Operator Folded 296
- Operator's Global 297
- Display 297
- Oscillator D's Display 298
- 20.3.3 LFO Section 300
- 20.3.4 Envelopes 301
- 20.3.5 Filter Section 303
- 20.3.6 Global Controls 304
- 20.3.7 Glide and Spread 305
- 20.3.9 Finally 306
- MIDI and Key Remote Control 314
- 21.1 Keyboard Remote Control 315
- 21.2 MIDI Remote Control 316
- Selecting a MIDI Device 317
- The MIDI Map Mode 317
- 21.2.3 Mapping to MIDI Notes 318
- and Twos 320
- 065127 063001 320
- The Relative Session 321
- Mapping Strip 321
- Mackie Control 323
- 22.1 Channel Strips 325
- The V-Pots and 327
- Assignment Switches 327
- Bank, Channel, Flip and 330
- Return Buttons 330
- 22.4 Transport 332
- The Software-Specic 335
- Controls 335
- Synchronization and ReWire 337
- Choosing a MIDI Slave 338
- 23.1.3 MIDI Timecode Options 339
- 23.2 Connecting via ReWire 340
- 23.2.3 More on ReWire 342
- Computer Audio Resources and 344
- Strategies 344
- The CPU Load Meter 345
- 24.1.3 Track Freeze 346
- 24.2 Managing the Disk Load 347
- The Disk Overload 348
- Indicator 348
- Live Keyboard Shortcuts 349
- 25.2 Accessing Menus 350
- 25.3 Adjusting Values 350
- 25.4 Browsing 351
- 25.5 Transport 351
- 25.6 Editing 352
- 25.8 Session View Commands 353
- 25.10 Commands for Tracks 354
- 25.15 Clip View MIDI Editor 357
- 25.17 Global Quantization 358
- 25.20 Using the Context Menu 359
- Chapter 26 361
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